1969 Born in Kaifeng, Henan Province, China
Currently teaches at South China Agricultural University
Zhang Jinhui expresses the emotion of ‘restraint’ in the form of line, agreeing with the philosopher that “a person who cannot be restrained is not a free person.” She uses “restrained lines” to complete her artistic expression: “All my paintings, whether large or small, start with a line. When I look at each painting, even after a long time, I know exactly where it started.” The woman painter’s paintings begin with a single line and then carefully draw one after the other, sparse lines gradually enriching, abstract imagery becoming concrete, a whole world gradually revealing itself. She sees the line as an outlet for her spirit, a flowering of pessimism, by which she accomplishes spiritual redemption, in such a simple and direct way that never allows for modification, because it is direct.
Zhang Jinhui: The Thread of Life
Curator: Monica Dematté
Artist: Zhang Jinhui
Duration: Nov.11.2017 — Jan.30.2018
Artist Zhang Jinhui’s new exhibition in PAM: Beyond Social Text – Duo Solo Exhibition of Li Mingchang and Zhang Jinhui
Artists: Li Mingchang, Zhang Jinhui
Curator: Fan Lin
2021.03.28 – 2021.06.20
Venue: Pingshan Art Museum Park Annexe
Start with a Line- Paintings by Zhang Jinhui
by Monica Dematte
“All of my paintings, whether large or small, begin with a line. Looking at them, even after a long time, I know exactly where I started.” These words, written by Jinhui a few days ago with this exhibition in mind, along with the phrase “before I begin, I have a clear picture in my head,” both made a strong impression on me. They made me think of the first stroke of a paintbrush, which according to Chinese painting tradition, through its appearance on untainted paper or silk, summons up a duality out of nothingness, or rather, out of “emptiness” – a duality which in turn produces what is known as the “ten thousand beings.”
Touching the Real Word by Sincere Oneself
by Yan Li