Tao Siqi

Marks
2024
Oil on canvas
30 × 24 cm

Tao Siqi

Murmur
2025
Oil on canvas
30 × 30cm

Tao Siqi

Fever
2025
Oil on canvas
18 × 24cm

Tao Siqi

Pulse
2025
Oil on canvas
100 × 80cm

Tao Siqi

Confession
2025
Oil on canvas
64 × 51cm

Tao Siqi

Nocturnal Bloom
2025
Oil on canvas
60 × 40cm

Tao Siqi

Tender Captive
2025
Oil on canvas
40 × 50cm

Tao Siqi

Probe
2025
Oil on canvas
50 × 40cm

Tao Siqi’s paintings are rooted in her fascination with the body and flesh as a medium of sensibility and sexuality. She delves into desire of all forms through her intense colors, delicate brushstrokes and characteristic close-up perspective. By creating a tension between beauty and destruction, tenderness and violence, temptation and taboo, her surreal scenes inspire a provocative viewing experience and conjure emotional unease, flickering between pleasure and pain.

 

Tao Siqi was born in Wuhan, Hubei province, China in 1994, and currently lives and works in Shanghai. She graduated from Hubei Institute of Fine Art with a BA in painting in 2016. Her solo exhibitions include “The Naked Eye” at Capsule (Shanghai, China, 2025), “Possession at Frieze New York (New York, USA, 2024, presented by Capsule), “Trembling” at Fortnight Institute (New York, USA, 2022), “Deep Water” at Clima (Milan, Italy, 2022), “Tender Thorns” at Capsule Shanghai (Shanghai, China, 2021) and “Transient” at chi K11 Art Space (Wuhan, China, 2015).

 

Her group exhibitions include”Anything but Ordinary (Gallery MC, Shenzhen, China, 2026),”Super Community (TANK, Shanghai, China, 2024), “Games People Play” (Nathalie Karg Gallery, New York, USA, 2024), “Deep! Down! Inside!” (Hales Gallery, New York, USA, 2023) , “F*ck Art: The Body & Its Absence” (Museum of Sex, New York, USA, 2022), “Notes on Ecstatic Unity” (OTP Copenhagen, Copenhagen, Denmark, 2022), “Mouthed Echoes” (Lyles & King, New York, USA, 2022), “Nine Lives” (Fortnight Institute, New York, USA, 2021), “IMPORT-EXPORT” (Import Export Project, Locarno, Switzerland, 2019), “Right Behind Your Eyes”, curated by Sarah Faux (Capsule Shanghai, Shanghai, China, 2019), “On Drawing: Visibility of Power” curated by Lu Mingjun (J: Gallery, Shanghai, China, 2017) and “Chūn rì dì xìan” (RS_PROJECTS, Wuhan, China, 2016) among others.

Please scan the QR code to follow us on WeChat :GalleryMC